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tender, then teeth. 18+
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🖼️ THE STORYBOARDS

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Illustrated scene of gabro, a bearded man in sunglasses and a black shirt, confidently gesturing toward a worn-out Santa Claus sitting on a couch holding a beer. Santa looks sad and exhausted, with a cigarette in his mouth. A lit Christmas tree stands behind him, rain falls outside a window, and bold text reads, “Santa got 86’d from the Strip, so he came to my house,” with a small “gabro” signature in the corner.
🖼️ THE STORYBOARDS
EP 40
v1.0.0
8 min
Laugh Tracks from Hell Poetry & Panic
Audio drop coming soon.

This STORYBOARD is a rain-soaked Vegas fever dream where Santa does not arrive as a symbol of innocence, he shows up like a banned casino legend with glitter on his boots, bad behavior on his record, and just enough truth in his mouth to ruin everybody’s coping mechanisms. What starts as absurd holiday chaos turns into something sharper, a late-night sermon about burnout, boundaries, rest, and the small brutal ways people abandon themselves just to keep strangers comfortable. Under the jokes, the peppermint rum, and the Strip’s usual spiritual fraud, the piece lands on a real nerve. Being “good” is not obedience, it is knowing when to protect your peace, take your break, drink your water, and stop apologizing for needing softness in a city that keeps trying to turn survival into a performance.

🎰 The Drop: This STORYBOARD had to be written because holiday season in Vegas is its own cracked religion, all glitter, pressure, exhaustion, and forced cheer with a panic attack hiding under the wrapping paper. Santa crashing into gabro’s house after getting 86’d lets the whole fantasy collapse just enough to tell the truth. Sometimes the holiest messenger is the one who got kicked out for having a tone.
♠️ The Vibe: Rain on neon. Peppermint rum and emotional fatigue. A half-lit apartment, one sad candle, one exhausted myth on the couch, and Vegas humming outside like a casino choir with a hangover. The piece feels goofy, bruised, weirdly tender, and just filthy enough to stay honest. Holiday camp, casino-noir, and survival wisdom in boots.
♦️ House Rules: Rest is not failure. Boundaries are not bad behavior. If a room demands your silence, your overwork, or your self-erasure just to keep the peace, that room is wrong, not you. Take the break. Drink the water. Say no with your full chest. Let the world be dramatic if it wants to.
♣️ Dealer’s Note: Some tracks sound better after the ban, after the rain, after the lie falls apart. Protect your energy, then play your hand loud.

PRESS PLAY ABOVE. ✦ DIM THE LIGHTS. ✦ ENTER THE STORYBOARD…
🎲 🃏 🎰 💸
😈 🍸 🔥 🪩
🎅
🍺
🍾
NAUGHTY SANTA
Make it to the bottom for your little “gift.” 🎁
🎄🎅🍺🃏🎲🎰🔥😈💸🍸🎄

I’m not a Christmas elf, I’m a Christmas misfit,
I hear “’tis the season” and my whole face does cringe shit.
The Strip shakes glitter like it’s trying to get laid,
Downtown’s got sleigh bells and a hangover parade.

It’s December fifteenth, the air tastes like rum,
like tourists who swear they’re “low key” and then come
in matching pajamas, these horrible planners,
with mismatched directions, and no fucking manners.

I’m off shift, thank God, I’m in sweatpants at home,
my phone’s on Do Not Disturb, let me rot all alone.
I light one sad candle like, look, I’m alive,
and right on cue the universe says, “Bitch, something’s ’bout to arrive.”

Stylized illustration of gabro sitting on a bed with arms crossed, wearing sunglasses and wrapped in a dark blanket. He looks serious and contemplative. A candle glows on a bedside table, and through the window behind him the Las Vegas skyline is visible at night, including the “Las Vegas” sign, Eiffel Tower replica, and Ferris wheel. The scene has a moody, late-night Vegas atmosphere, with a small “gabro” signature in the corner.

First, the weather goes weird, like Vegas got moody,
rain on the windows, fake Elvis in a sad wet hoodie.
Then I hear it, a thump, a scrape, a shamble,
like a drunk guy arguing with a shopping cart’s handle.

Stylized illustration of fake Elvis standing alone in the rain on the Las Vegas Strip, wearing a hooded jacket and sunglasses streaked with raindrops. His expression is somber and reflective. The Bellagio fountains glow behind him, with palm trees and casino lights blurred by rain, creating a moody, cinematic late-night Vegas atmosphere. A small “gabro” signature appears in the corner.

Something lands on my patio, heavy and loud,
and I swear on this candle, I’m not leaving my shroud.
I peek through the blinds, like a nosy-ass cat,
and I see red velvet, and then I see that.

Santa.

Actual Santa. 🎅

Stylized illustration of gabro sitting up in bed, wrapped in a dark blanket and wearing sunglasses, resting his head on his hand in a quiet, contemplative pose. A candle glows on a bedside table beside him. Outside the rain-streaked window, a disheveled Santa Claus stands in the night holding a beer bottle and a sack, looking tired and defeated, with his sleigh behind him. The scene feels moody, humorous, and late-night Vegas in tone, with a small “gabro” signature in the corner.

Not mall Santa who smells like Marlboros and mint,
I mean old-school Santa with a magical glint,
white beard, big boots, a bag, and a vibe
that screams, “I’m Santa after dark, babe, count to five.”

He’s hunched like a craps dealer who lost to a chair,
he’s brushing off glitter from everywhere.
His coat’s got a stamp on the back that reads NO RE-ENTRY,
and his face says, “Yeah, babe, they tried to eject me.”

Close-up illustration of a disheveled Santa Claus shown from behind, wearing a red jacket with bold yellow text reading “NO RE-ENTRY” across the back. His Santa hat droops slightly, emphasizing the joke, and the image has a warm, stylized holiday color palette with a small “gabro” signature in the corner.

I open the door, because I’m curious, not wise.
He looks at my sunglasses, then straight in my eyes,
and goes, “Hey. You got water? And, like, some weed or coke?”
I said, “This is a patio, not a party, dumb bloke.”

He laughs like a slot machine choking on coins.
“Kid, I got 86’d. It happens. It’s fine.”
I’m like, “Santa gets 86’d?”
He goes, “Tonight, I did. Shit.”

Stylized illustration of gabro standing inside a doorway at night, wearing sunglasses and wrapped in a dark robe, holding the door partially closed. Outside, a disheveled Santa Claus looks exhausted and guilty, holding a beer bottle and smoking a cigarette. Santa’s suit is rumpled, his expression worn down. Warm indoor candlelight contrasts with the dark, rainy night outside, creating a moody, humorous late-night Vegas vibe, with a small “gabro” signature in the corner.

He stomps inside like he pays rent, like he owns the place,
and I’m watching this myth in my living room space.
He drops his bag with a holy-ass sigh,
and says, “Vegas is different. Vegas will try.”

“Vegas,” he says, “has a naughty list fetish.”
I said, “Same.”
He said, “No, I mean, hellish.”

Stylized illustration of gabro sitting with arms crossed, wearing sunglasses and a dark robe, listening to a weary Santa Claus standing beside him with a sack over his shoulder. Santa looks exhausted and resigned, and a speech bubble above him reads “Hellish.” A candle glows on a side table, a TV sits in the background, and the Las Vegas skyline is visible through a window at night. The scene has a dry, darkly humorous late-night Vegas mood, with a small “gabro” signature in the corner.

He tells me the story like it’s stand-up, like it’s a set.
He says he hit the Strip for a “quick little reset,”
wanted a break from the North Pole’s HR,
from elves with complaints and a reindeer PR.

“Comet filed termination paperwork. Cupid’s a mess.
Blitzen’s in therapy. Dasher won’t dress.
Mrs. Claus is on TikTok, she’s thriving, she’s hot,
and I’m out here like, damn, I’m a brand, I’m a lot.”

I nod like, same, Santa, same, I get it.
Then he leans in and says, “Also, Rudolph is petty as shit.”
He says he walked into a casino with movie-star bars,
asked the pit boss for a comped room and cigars,
called the host “sweetheart” with a grin too slick,
then hit the high limit like, “Watch this trick.”

Illustrated scene of gabro sitting on a couch wearing sunglasses and a dark robe, looking at a weary Santa Claus who is seated beside him. Santa has a tired expression and is gesturing with his hands as if explaining something, while a large bag of gifts sits on the floor beside him. A warm lamp glows softly in the background, with a glimpse of palm trees outside the window, giving a calm, late-night vibe. The scene has a humorous, yet contemplative tone, with a small “gabro” signature in the corner.

He says, “I sat down at blackjack, I’m feeling insane,
this guy next to me is snorting confidence like cocaine.
He’s got cologne that could peel paint off steel,
and he keeps telling the dealer how she ‘should’ deal.”

Santa says, “So I said, ‘Listen, motherfucker, relax,’
and the table went quiet, like a record collapse.”
I said, “Santa, you can’t call people that.”
He goes, “Yes I can. I’m Santa. That’s fact.”

Stylized illustration of gabro sitting quietly in a robe and sunglasses while a weary Santa Claus gestures as he tells a story. Above Santa, a thought bubble shows him being kicked out of a casino at a blackjack table, with an angry casino manager pointing and a dealer looking on. A sack of gifts rests nearby, and a warm lamp lights the room, creating a humorous, reflective late-night Vegas mood. A small “gabro” signature appears in the corner.

He tells me security showed up fast,
like they smelled the drama before it could pass.
He says he got marched out, still holding a cocoa,
still wearing his beard like a glamorous loco.

“And as they’re escorting me,” Santa says, “this host goes,
‘Sir, you cannot speak to other guests that way.’
And I said, ‘Bitch, tell your guests not to act like an entitlement buffet.’
Then I got banned for ‘tone.’”

Santa looks at me and whispers,
“Vegas hates a tone.”

Stylized illustration of a weary, disheveled Santa Claus sitting on a couch holding a mug, looking tired and reflective. Beside him, gabro sits calmly wearing sunglasses and a dark robe, listening quietly. A small lamp glows on a side table behind them, creating a warm, late-night atmosphere. The scene feels intimate, subdued, and gently humorous, with a small “gabro” signature in the corner.

I’m laughing so hard I almost spill my water.
He’s pacing my living room like a legend’s daughter,
like a diva with boots, like a saint with an attitude,
like Christmas itself ran out of gratitude.

He says, “Look, I’m not here to be nasty, I’m here to be real.
There’s a difference between naughty and cruel.”
And I’m like, okay, damn, Santa with boundaries,
Santa with morals, Santa with the rarest of candies.

Stylized illustration of gabro lounging on a couch in sunglasses and a dark robe, laughing while holding a drink. A disheveled Santa Claus strides across the room mid-rant, pointing dramatically as he talks, his sack of gifts on the floor nearby. Warm lamplight fills the room, with palm trees visible outside the window, creating a playful, late-night Vegas storytelling vibe. A small “gabro” signature appears in the corner.

He says the naughty list isn’t about sex, not really,
it’s about the little ways people forget to be silly,
the way they forget other humans exist,
the way they turn kindness into smoke, into nothing but mist.

Then he points at my couch and goes, “Can I crash?”
I said, “Sir, you broke into my home with a splash.”
He goes, “I didn’t break in, I arrived dramatically.”
I said, “That is still breaking in, mathematically.”

Stylized illustration of gabro reclining on a couch in sunglasses and a dark robe, laughing while holding a drink that splashes slightly. Across from him, a disheveled Santa Claus stands mid-lecture, pointing emphatically as he talks. A sack of gifts rests on the couch, a lamp casts warm light in the room, and palm trees are visible through the window, creating a comedic, late-night Vegas storytelling atmosphere. A small “gabro” signature appears in the corner.

So I give him a blanket, because I’m soft, I’m not dead.
He flops down like a king in a nothing-ass bed.
He kicks off his boots, a little too thrilled,
and my house smells like peppermint rum spilled.

He starts digging in his bag like it’s a purse of doom,
and I’m half terrified, half entertained in my room.
He pulls out a gift, wrapped in shiny red foil,
and says, “This is for you. Don’t be disloyal.”

Stylized illustration of a weary Santa Claus lounging barefoot on a couch, holding up a small wrapped gift while his open sack of presents rests beside him. In the background, gabro stands wrapped in a dark robe and wearing sunglasses, watching quietly with arms crossed. A warm lamp glows on a side table, and palm trees are visible through the window, giving the scene a reflective, late-night Vegas mood. A small “gabro” signature appears in the corner.

I’m like, “Santa, I didn’t do anything.”
He goes, “Exactly. Reward the not-doing-bad. That’s the thing.”

I open it up, and it’s not cash, not jewels,
it’s a tiny little card with a set of rules:

TAKE YOUR BREAKS.
DRINK WATER.
DON’T APOLOGIZE FOR REST.
IF A MAN SAYS ‘DEAL SLOWER,‘ SAY, ‘TIP QUICKER, BITCH.‘

I said, “This is… actually kind of hot.”
Santa goes, “I know. I’m a lot.”

Stylized illustration of gabro laughing on a couch, wearing sunglasses and a dark robe, holding up a handwritten sign with humorous advice about taking breaks, drinking water, and tipping dealers. A speech bubble above him reads “HA HA!” Across from him, a relaxed, barefoot Santa Claus lounges with a sack of gifts, pointing back with a tired smile. A speech bubble above Santa reads, “I know. I’m a lot.” Warm lamplight and a cozy late-night Vegas setting frame the scene, with a small “gabro” signature in the corner.

Then he gets quiet, and the rain hits harder,
like the sky’s got feelings and chose violence, full charter.
Santa looks at my ceiling like he hears something breathe,
and my body goes, no, not this again, please.

He says, “You ever notice how buildings listen?”
I said, “Sir, I’m already in a spiritual prison.”
He laughs, then points to my light fixture, small,
and says, “That’s not a chandelier, but it wants to be. It’s trying. Let it crawl.”

I’m like, “We are not time traveling tonight.”
(🔗 Halloween ’77: The Night The Casino Chandelier Ate Me, And The Mob Put Me On Repeat – opens in new tab )

Santa goes, “Relax, gabro. I’m off the clock. I’m not doing overtime in your life.”

A cozy cartoon scene shows cartoon gabro sitting in a chair wearing sunglasses and a robe, laughing with Santa Claus, who is lounging on a bed with a sack of gifts beside him. Santa points up at a ceiling light while the room glows with warm lamplight, creating a relaxed, funny after-hours holiday vibe.

He sinks deeper into the couch like a tired god.
He says, “Vegas makes saints out of people who play along with the facade.
It makes monsters out of people who don’t.”
And I’m sitting there like, yep, you’re not wrong, you won’t.

He says, “So here’s my new rule, listen close, kid,
naughty isn’t what you do, it’s what you let slide.”
He points an invisible finger at the air,
like he’s preaching to smoke and fluorescent despair.

Stylized illustration of gabro sitting back in an armchair wearing sunglasses and a dark robe, listening calmly while a relaxed, barefoot Santa Claus reclines across from him, pointing mid-sentence. Wisps of smoke drift near the ceiling, Santa’s sack of gifts rests beside him, and a warm lamp glows between them. The scene feels intimate, slightly chaotic, and late-night Vegas in tone, with a small “gabro” signature in the corner.

“Naughty,” he says, “is the way you abandon yourself
to keep strangers comfortable, to keep peace on a shelf.
Naughty is silence when your gut says speak.
Naughty is working until you feel weak.”

Then he grins, and the grin is pure Vegas trash,
and he goes, “Also naughty is tequila and cash.”
I said, “Okay, there’s the Santa I recognize.”
He said, “Thank you, bitch, I contain multitudes, surprise.”

Stylized illustration of gabro sitting back in an armchair wearing sunglasses and a dark robe, watching as a cheerful, disheveled Santa Claus lounges barefoot across from him, grinning and holding up a bottle labeled “Tequila” in one hand and a stack of cash in the other. Santa’s open sack of gifts rests beside him, a lamp glows warmly in the background, and the scene carries a playful, late-night Vegas energy, with a small “gabro” signature in the corner.

Morning creeps in like a whisper in shoes.
Santa’s snoring like a bear with holiday blues.
The rain slows down, the city looks rinsed,
like the Strip got baptized and instantly sinned.

My phone lights up with a dozen texts,
friends saying, “Brunch?” and “You alive?” and “What’s next?”
I look at Santa, asleep on my couch,
and I think, this is the weirdest damn thing I’ve ever housed.

Stylized illustration of gabro standing beside a couch in sunglasses and a dark robe, checking his phone while Santa Claus sleeps sprawled across the couch. Santa snores softly with “zzz” above his head, his sack of gifts open beside him and an empty tequila bottle on the floor. A warm lamp glows in the background, creating a quiet, late-night Vegas wind-down scene, with a small “gabro” signature in the corner.

He wakes up, stretches, looks at me like we’re old friends,
and says, “Alright. I gotta go fix my mess with amends.”
He stands, adjusts his coat, checks his beard,
then pauses like he remembers something feared.

He says, “One more thing.”
I said, “What?”
He said, “If anyone asks, I wasn’t here.”
I said, “Santa, your boots left a trail of glitter and audacity.”
He goes, “Exactly. Plausible deniability.”

He steps onto the balcony, the rain taps soft,
and he turns back, looks right at me, lifts his cuff.
He says, “Be good.”
Then winks and adds, “Or at least don’t be bad.”
Then he’s gone, like a rumor, like a hit, like a witness.

Santa stands on a rain-slick Las Vegas balcony at dawn, glitter scattered around his boots as he turns back with a grin and raised cuff. Inside, Gabro watches in sunglasses and a robe, holding his phone, the city glowing behind Santa like a rumor fading.

I stand there a second, quiet as a confession,
then I laugh, because what the fuck is this profession,
this life, this city, this crazy world survival,
this glitter religion, this nightly revival.

And if you ask me what I learned from Naughty Santa,
I’ll tell you the truth with my whole little mantra:

Sometimes the most rebellious thing you can do
is rest without guilt, and still be you.
Sometimes the naughtiest thing is saying “no,”
and letting the whole damn world throw its little show.

And sometimes, on December 15th, in Vegas rain,
Santa gets banned for telling the truth on a felt rectangle, plain.
If that doesn’t feel like a prophecy, baby, it should,
because this town is a sermon, and I’m the choir in the hood.

🎅🎰🃏♠️♥️♦️♣️🎲🍸💸😈🔥🎄🪩
🎅🎰🃏♠️♥️♦️♣️🎲🍸💸😈🔥🎄🪩
Merry Christmas
🎅
🎰🎅💸🃏🍸😈🎲🔥♠️♥️♦️♣️🎄🪩💋✨ 🎰🎅💸🃏🍸😈🎲🔥♠️♥️♦️♣️🎄🪩💋✨
🃏💋🎅🎰🍸💸😈🔥🎲✨♠️♥️♦️♣️🎄🪩 🃏💋🎅🎰🍸💸😈🔥🎲✨♠️♥️♦️♣️🎄🪩
🎅🔥🎰🎲💸🍸😈🃏✨🎄♠️♥️♦️♣️🪩💋🔥 🎅🔥🎰🎲💸🍸😈🃏✨🎄♠️♥️♦️♣️🪩💋🔥
Tap ▶️ to spin (max 5s). Tap 🚫 to stop early.
🍒🎰🧃🌈🫦🎲🫦🌈🧃🎰🍒
Tip this episode so I never have to put on a fake Elvis wig and cry by the fountains. 🎄⛲
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Tip the Dealer
🍒🎰🧃🌈🫦🎲🫦🌈🧃🎰🍒
🍷 First Pour: December 15, 2025 🥀 Last Touch: May 3, 2026
🎭 Revues: Laugh Tracks from Hell•Poetry & Panic
🗝️ Motifs: boundaries, dark comedy, golden rule, graveyard vibes, kindness, Las Vegas, naughty Santa, neon winter, profanity poetry, queer humor, Santa, the Strip
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